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The Middle Passage: The Caribbean Revisited, by V.S. Naipaul
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In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies–countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart’s appearance with cries of “That is man!” He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France’s routes nationales. And throughout he relates the ghastly episodes of the region’s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.
- Sales Rank: #738977 in Books
- Published on: 2002-01-08
- Released on: 2002-01-08
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x .50" w x 5.20" l, .42 pounds
- Binding: Paperback
- 256 pages
Review
“The coolest literary eye and the most lucid prose we have.”–The New York Times Book Review
“Belongs in the same category of travel writing as Lawrence’s books on Italy, Greene’s on West Africa and Pritchett’s on Spain.” –New Statesman
“Naipaul travels with the artist’s eye and ear and his observations are sharply discerning.” –Evelyn Waugh
“Where earlier travelers enthused or recoiled, Mr. Naipaul explains. His tone is critical but humane, and he tempers his inevitable indignation with an admirable sense of comedy.” –The Observer
“Dazzling reportorial skills and a sharp historical mind.” –The New York Times
From the Inside Flap
In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies-countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart's appearance with cries of "That is man!" He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France's "routes nationales. And throughout he relates the ghastly episodes of the region's colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.
From the Back Cover
“The coolest literary eye and the most lucid prose we have.”–The New York Times Book Review
“Belongs in the same category of travel writing as Lawrence’s books on Italy, Greene’s on West Africa and Pritchett’s on Spain.” –New Statesman
“Naipaul travels with the artist’s eye and ear and his observations are sharply discerning.” –Evelyn Waugh
“Where earlier travelers enthused or recoiled, Mr. Naipaul explains. His tone is critical but humane, and he tempers his inevitable indignation with an admirable sense of comedy.” –The Observer
“Dazzling reportorial skills and a sharp historical mind.” –The New York Times
Most helpful customer reviews
0 of 0 people found the following review helpful.
See the Caribbean through a prodigal son's eyes
By A Forest Fan
If you want to read more from travel writings than Lonely Planet travel guides (which are excellent), start with American author Paul Theroux and then try his travel mentor, V.S. Naipaul. This book has Naipaul revisiting the home island of Trinidad. As an ethnic Indian, Naipaul can travel the Caribbean and Venezuela and get an honest perspective that perhaps a caucasian travel writer might not. That's a trite and somewhat insulting way to characterize his travel books, but I've bought five on that premise and been happy with every one. If you're not as well read on the classics as Naipaul is, open one of his books and try to keep up with his literary name dropping. Maybe I haven't read the European classics that he has, but it's enough to see a citation in one of his accounts of wanderings.
This is one of his shorter books, pick it up for a travel-sized read on your own voyages.
17 of 17 people found the following review helpful.
wonderful but dated
By Seth J. Frantzman
This wonderful quick read is V.S Naipaul's travels from Trinidad, to British Guinea through Suriname and then on to Martinique and Jamaica in the early 1960s. The dated feature makes the read fascinating. Here we see how racial issues have surfaced in Trinidad, where the Urban black population is at variance with the rural indian one. We see this through the eyes of an English educated Indian returning home to a nation he both loves and hates. He remarks att he outfite, the attire and aspirations of the people. In Guinea he meets Mr. Jagan, the Indian Communist leader who Naipaul will return to in his book "The Writer and his World". In Suriname we learn about a dutch colony where race has not been the deciding factor.
Fascinating and poetic this story is a tour of the culture of the caribean. Of transplanted Africans and Indians living on islands and places once inhabited by natives, of the stirrings of colonial peoples and independence. A must read. Full of color, history, insights and amazing characters.
Seth J. Frantzman
14 of 14 people found the following review helpful.
Masterful writing
By Eric Maroney
No writer writes with more pointed anger than the young Naipaul, and this book, along with An Area of Darkness, strikes the most strident note of rage. This is not surprising. The young Naipaul reserved his rage for the places, people and things which struck closest to his roots: for An Area of Darkness, India, and for the Middle Passage, even closer, the Caribbean. Although most of the places he writes of in this book have been radically transformed in the forty years since this was written, The Middle Passage is still worth reading. The writing, even when it levels off into casual meanness, is superb. This book amply illustrates Naipaul's complete mastery as a travel writer. Few writers get to the heart of place, its dark muddled center, than Naipaul, and he lays it out clear, crisp, and pointedly, and then moves on.
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