Thursday, April 14, 2011

[H979.Ebook] Ebook Free Psalms (Understanding the Bible Commentary Series), by Craig C. Broyles

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Psalms (Understanding the Bible Commentary Series), by Craig C. Broyles

The Understanding the Bible Commentary Series helps any reader navigate the strange and sometimes intimidating literary terrain of the Bible. These accessible volumes break down the barriers between the ancient and modern worlds so that the power and meaning of the biblical texts become transparent to contemporary readers. The contributors tackle the task of interpretation using the full range of critical methodologies and practices, yet they do so as people of faith who hold the text in the highest regard. Pastors, teachers, and lay people alike will cherish the easily understandable truth found in this commentary series.

  • Sales Rank: #210935 in Books
  • Published on: 1999-09-01
  • Released on: 1999-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.20" w x 5.60" l, 1.68 pounds
  • Binding: Paperback
  • 560 pages

Review
"Craig Broyles’s commentary on the Psalms represents his own deep knowledge of the Psalms and a sense of the things that matter for the reading and hearing of this great devotional and theological literature. While fully drawing upon the latest scholarly work on the Psalms, the commentary is clear and accessible, giving the interpreter/preacher sufficient grasp of what each psalm is about without overwhelming him or her with masses of detail and secondary references. His attention to the context of ancient Israel is matched by his sensitivity to the contemporary word of the Psalms tobelievers and to the church as a whole."
—Patrick D. Miller, Princeton Theological Seminary

"The New International Biblical Commentary, based on the NIV, and published by Hendrickson and Paternoster Press, offers a more traditional style of commentary, with introductions, explanations of the text section by section, and Additional Notes on specific verses. The editors stress that the Old Testament often seems a strange and foreign book to modern readers, and the purpose of the commentaries is to 'break down the barriers between the ancient and modern worlds so that the power and meaning of these biblical texts may become transparent'. Thus the intention is to provide 'believing criticism', and it offers quite specifically a Christian interpretation, although some writers stress this more than others. . . .

" . . . Craig C. Broyles, Psalms, . . . focuses on the original use of the psalms as liturgies, because this respects their original function and provides a reading that is 'the most remote from modern readers.' Israel's faith was 'sung' as prayer, not 'signed' as a statement of orthodoxy. And each psalm is accepted as unique, although the way they fit into different genres is recognized, and key themes are noted. Broyles admits that the psalms have their limitations. There is much here for the preacher."
—The Expository Times -- Review

From the Back Cover
Expert help for understanding the Bible

Each volume in the Understanding the Bible Commentary Series breaks down the barriers between the ancient and modern worlds so that the power and meaning of the biblical texts become transparent to contemporary readers. They present a careful section-by-section exposition of the biblical books with key terms and phrases highlighted and all Hebrew transliterated. Notes at the close of each chapter provide additional textual and technical comments for those who want to dig deeper. A bibliography as well as Scripture and subject indexes are also included. Pastors, students, and Bible teachers will find in this series a commitment to accessibility without sacrificing serious scholarship.

The Psalms are beloved for their poetic beauty, poignant expression of human emotion and spiritual experience, and soaring depictions of God's glory. This commentary examines literary elements to help understand each psalm as a whole. Further, it highlights the psalms in their liturgical role as part of Israel's worship, with an eye toward enriching contemporary worship and prayer.

Craig C. Broyles is professor of religious studies at Trinity Western University, Canada. He is author of The Conflict of Faith and Experience: A Form-Critical and Theological Study of Selected Lament Psalms and co-editor of Writing and Reading the Scroll of Isaiah: Studies of an Interpretive Tradition.

About the Author
Craig C. Broyles is professor of religious studies at Trinity Western University, Canada. He is author of The Conflict of Faith and Experience: A Form-Critical and Theological Study of Selected Lament Psalms and co-editor of Writing and Reading the Scroll of Isaiah: Studies of an Interpretive Tradition.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Goes deeper
By Linda B. Nelson
Thorough scholarship, not a lightweight approach. If you want historical background as well as theological perspectives, this commentary is helpful.

2 of 4 people found the following review helpful.
College Text
By Colefacci
This Commentary is concise and helpful, but in some areas feels like it lacks some depth. A good first reference, but room for other interpretation. Goldingay's work seems the most insightful, but 3 volumes are quite expensive.

0 of 3 people found the following review helpful.
Five Stars
By Robert S.
awesome

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Saturday, April 9, 2011

[P945.Ebook] Fee Download Jesuit on the Roof of the World: Ippolito Desideri's Mission to Tibet, by Trent Pomplun

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Jesuit on the Roof of the World: Ippolito Desideri's Mission to Tibet, by Trent Pomplun

Jesuit on the Roof of the World is the first full-length study in any language of Ippolito Desideri (1684-1733), a Jesuit explorer and missionary who traveled in Tibet from 1715 to 1721.

Based on close readings of a wide range of primary sources in Tibetan, Italian, and Latin, Jesuit on the Roof of the World follows Desideri's journey across the great Western deserts of Tibet, his entry into the court of the Mongol chieftain Lhazang Khan, and his flight across Eastern Tibet during the wars that shook Tibet during the early-eighteenth century. While telling of these harrowing events, Desideri relates the dramatic encounter between his Jesuit philosophy and the scholasticism of the Geluk monks; the personal conflict between his own Roman Catholic beliefs and his appreciation of Tibet religion and culture; and the travails of a variety of colorful characters whose political intrigues led to the invasion of Z�nghar Mongols of 1717 and the establishment of the Chinese protectorate in 1720.

As the Tibetans fought among themselves, the missionary waged his own war against demons, sorcerers, and rival scholastic philosophers. Towering over all in the mind of the missionary was the "fabulous idol" Avalokitesvara and its embodiment in the Sixth Dalai Lama Tsangyang Gyatso. In describing his spiritual warfare against the Tibetan "pope," the missionary offers a unique glimpse into theological problem of the salvation of non-Christians in early modern theology; the curious-and highly controversial-appeal of Hermetic philosophy in the Asian missions; the political underbelly of the Chinese Rites Controversy; and the persistent European fascination with the land of snows.

  • Sales Rank: #974953 in Books
  • Published on: 2009-11-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.10" w x 9.30" l, 1.25 pounds
  • Binding: Hardcover
  • 320 pages

Review

"A great feat of historiography, this at-once sympathetic and unblinking account of Desideri's missionary career and the collective fantasies behind it makes for terrific reading. Treated to a feast of intimate details drawn from letters, journals, and theological tracts alike, the reader comes to understand from the inside the ambitions and the disappointments of this seminal moment in the history of what we now call interreligious dialogue. Desideri's fascinating story helps us appreciate his complex combination of admiration, accommodation, and refutation of Tibetan Buddhist thought, all set against the turbulent period in Lhasa during the life of the Sixth Dalai Lama, not to mention virulent competition between Christian missionary sects at the time."
-- Janet Gyatso, author of Apparitions of the Self: The Secret Autobiographies of a Tibetan Visionary


"This is a very important book. It is the first in English seriously to treat the life and work of Ippolito Desideri, an eighteenth-century Italian Jesuit who was the first Christian intellectual seriously to engage Tibetan Buddhism in its own terms, to the point of writing extensive treatises in scholastic Tibetan. Pomplun is a first-rate Tibetanist as well as a good theologian, and he writes beautifully. The result is a book of considerable intellectual weight that is a delight to read."
--Paul J. Griffiths, author of Lying: An Augustinian Theology of
Duplicity, and Intellectual Appetite: A Theological Gramma


"The Jesuit missionary Ippolito Desideri, who lived in Lhasa during the turbulent years of the early 1700s, has been perceived as a uniquely fascinating and sympathetic figure by Western observers of Tibet ever since the rediscovery of his writings over a century ago. Previous scholarship, however, has not clearly situated Desideri in the context of his times and of his spiritual and intellectual formation. In Jesuit on the Roof of the World, Trent Pomplun vividly portrays Desideri's world in its remarkable contours, at once at the intersections of Asia and Europe, and medieval and modern. The book is a pleasure to read, and one, at last, that I can recommend to readers in both European and Asian studies."
-- Matthew T. Kapstein, Director of Tibetan Studies, �cole Pratique des Hautes �tudes, Paris


"It would be hard to imagine a scholar more ideally suited to understand Desideri's story in all its aspects, from every important perspective, and to appreciate its wonder, irony, and ultimately futility." --First Things


"This is a brilliant book, a fascinating account that is part review of the intensity of Jesuit formation, part biographical and historical narrative, and part philosophical and theological review of missiology and soteriology in the post-Tridentine era. Pomplun's work has that none-too-common quality for nonfiction books: being a page-turner. . . The book is a delight to read, shedding light on a little known area of Jesuit and Tibetan studies, one whose historical context has a particularly vivid contemporary significance--namely, the philosophical, social, and theological meanings and values layered in 'interreligious dialogue.' This is a great book."
--CHOICE


"Pomplun's study is well researched and elegantly written, a sophisticated sympathetic, even exciting account of Ippolito Desideri's (1684-1733) five-year mission to Tibet. . . generous, thought provoking, and exceptionally well-researched. I recommend it highly for both its treatment of initial Christian contact with Tibet and for its historiographical methodology."--Theological Studies


"An insightful book. . . This volume is highly recommended for both the serious student of Jesuit history, and Tibetan culture."--CatholicBooksReview.org


"Pomplun makes a significant contribution to Tibetan studies and the history of the Jesuit missions through his meticulously researched and perceptive reconstruction of the life and times of Ippolito Desideri, the notorious eighteenth-century Jesuit missionary to Tibet. Despite being written for partisan purposes...Pomplun rewards ecclesiastically minded readers with judicious treatment of relatively unkown debates concerning free will, the terms under which non-Christian religious beliefs and practices were evaluated as positive or negative for salvation, the influence of movements such as Hermeticism and Pythagoreanism in forming a late baroque Catholic imaginaire receptive to pagan wisdom as an expression of perennial religious truth, and the salvation of individual non-Christian believers."--Religious Studies Review


About the Author

Trent Pomplun is Associate Professor of Theology at Loyola University Maryland. His research interests include late medieval and early modern Catholicism, missions history, and Indo-Tibetan religion and culture. Jesuit on the Roof of the World is his first book.

Most helpful customer reviews

23 of 24 people found the following review helpful.
When Will We Learn the Details of The Dramatic Encounter?
By James S. Taylor
The strength of this book is in the immense detail that goes into situating Desideri in his cultural, historical and theological context. It also gives a critical reading of his reports against other documents from the time, showing that the way he presents things is not always exact. All of this was very helpful and added greatly to my understanding of the Jesuit missionary.

However, having been interested in Desideri for nearly three decades, I already know the story. The odd thing about him is that while everyone goes on about how engaging was his dialogue with Tibetan Buddhism, no one gives you details to decide for yourself. This book, for example, while the reviews and description bring his story up as a "seminal moment in...interreligious dialogue" with "the first Christian intellectual to engage Tibetan Buddhism on its own terms" showing a "dramatic encounter between [Desideri's] Jesuit philosophy and the scholasticism of the Geluk monks" leaves us nearly completely in the dark about the details, yet again. I find this typical of discussions about Desideri; even English translations of his own writings leave out these sections.

What this book does cover, instead, are Christian theological issues and the details are about doctrinal and procedural debates between different Christian groups, predominantly the Jesuits and the Capuchins. We are repeatedly brought to the door of Desideri's opinions about why he disagreed with Buddhism, but are not really let inside. More than once we are drawn into the fact that he greatly disagreed with the idea of rebirth, enough so that he wrote a large document on the subject, but we are not told any details of why he disagreed with it or what arguments he put forward against it. The only hint, in another context, is that he felt the Dalai Lamas used it as a social control mechanism. Surely there has to be more to it than that. Again, more than once we are drawn in to Desideri's study with Buddhists in monastic settings, where it is clearly shown that he was reading the right books and had a special interest in Madhyamaka, even though he disagreed with aspects of it. Other than that part of the disagreement centered on the denial of a Creator God by Madhyamika authors, we are given no idea of the details of this incredibly interesting worldview encounter. Pomplun knows the details enough to mention, more than once, that Desideri had some strange ideas about Madhyamaka, but, again, no details. And all this in a book with a chapter titled "Tibetan Religion in Theological Perspective," which is one of the main reasons I bought it.

Readers can be excused for starting to wonder if the emperor has no clothes. At one point, Pomplun notes that, despite Desideri's claim that many Tibetan intellectuals came to read his refutation of Buddhist doctrines, there is no reference to this in any contemporary Tibetan accounts. Is it because they didn't find anything of real substance? ;) Someone needs to write a book on what Desideri actually wrote on the subject and the arguments he used. Perhaps Michael Sweet's upcoming book or the one Pomplun says he wants to write next on Desideri's Tibetan documents, will finally fill the gap for those of us who neither read Tibetan or Italian nor have easy access to the journals where some of this work is starting to appear.

Either way, if none of that is your concern, than this book will not disappoint your quest to understand Desideri in a more thorough manner. It reveals the man at his best and worst, as well as disbanding a number of romantic myths about both him and Tibetan culture. If you have any interest in Desideri, it is rich in historical detail and well worth your time. Each of the six chapters is a self-contained unit focusing on a major issue in his life, picked up in chronological order. We are given a detailed examination of his Jesuit background, the literary context of his writing style, a general overview of how he situated Tibetan Buddhism in relationship to Catholicism, his understanding of the Tibetan politics during his visit, his theological disputes with other Christian groups, and how all of this fits into the European cultural context of his time. By the time you are done the introduction, you will clearly see that Pomplun is not going to get into the issues that interested me. Too bad the Amazon preview cuts off before then.

2 of 2 people found the following review helpful.
Excellent Study
By Jonathan Homrighausen
I first heard about Desideri in my summer Buddhist Studies course in Nepal. In the early eighteenth century, he entered Nepal, and was the first missionary to take up extended residence there. (Others had tried, but even killed by disease or the hardship of trekking the Himalayas.) Sadly, much Desideri scholarship and sources are not available in English. Michael J. Sweet and Leonard Zwilling only came out with their mammoth translation of his journals* in 2010, the year this historian's biography was released. Pomplun's website reveals that he is currently working on a book-length study of Desideri's theology and translating his Tibetan works into English (which has never been done). Judging from this book, I have good reason to be excited about these works.

The chapter on Desideri's young life was perhaps the least interesting. Born in Italy, he entered the Jesuits at a young age. At this time, the missions to Asia and the Americas were the peak aspiration of young Jesuits across Europe. Many applied to their superiors for the privilege of this life; few were chosen. Accounts of violent deaths at the hands of natives (particular in Japan and the Americas) only increased this furor, as novices projected the martyrdom fantasies of early Christianity - a fast track into heaven - onto the exotic faraway lands of the New World and the Orient.

In 1712, Desideri was granted permission to go to Tibet. His trek from Italy to India and up to Tibet took three years. Settling in Lhasa, he found a patron in Tibet's ruler, Lhazang Khan, and rapidly applied himself to learning the Tibetan language. In no time at all he was composing Tibetan catechisms and refutations of erroneous Tibetan doctrines, such as reincarnation and the lack of God. Yet this bright period was short-lived. Within a few years Khan was deposed by invading forces, and Desideri was forced to go into hiding. Simultaneously he was vying with the Caputchin friars, who after arriving a year after him told him that the Pope had given Tibet to their order and not the Jesuits. (This kind of competition between religious orders, with the competing theologies of missions each brought to the foreign land, also happened in Japan and China.) These Capuchins eventually got him expelled from Tibet. Forced to go home in 1721, Desideri was forever embittered, feeling that his talents and calling were being wasted by a relentless bureaucracy.

Yet Desideri was not idle back in Europe. There he published his accounts of Tibet. At this time, missionary accounts were bestsellers in Europe, and the line between sensational storytelling and historical facticity was often blurred. Historians unable to corroborate events he details or locate people he mentions suspect that he may have invented details to bolster the popularity and funding of the missions, and comparisons with his private letters show he omitted some of the hardships and political machineries he faced in order to make the Tibet mission more appealing for young priests.

Most fascinating to me is the final chapter on these published accounts. Connecting to my other recent readings, Pomplun details how theologians confronted with massive numbers of people who had never heard of Christ had to reformulate the question of salvation outside Christendom. Yet this modern sensibility was part and parcel with Desideri's blatantly confrontational views of the Tibetan religion. He saw the Dalai Lama as a Satanic Anti-Pope, described Tibet in ways evocative of a circle of Dante's hell, and interpreted Tibetan texts as pointing toward fulfillment in Christ:

"Called to Tibet for the greater glory of God, the Jesuit missionary met a magnanimous king, wicked minsters, and all manners of black magic. In doing so, he found his position not merely confirmed in the teachings of the Catholic Church but prophecied in the Tibetan tales themselves. I like to imagine that as he followed an ancient sorcerer's footsteps across Tibet, Ippolito Desideri came to think of himself as a second Padmasambava, locked in battle with demons for the land of snows, and intending to repeat his rival's great feats for the Roman Catholic Church." (196)

Not only did Desideri contribute to the Orientalist vogue in Europe, the simultaneous demonization and idealization (but always exotification) of Asia, but also laid the grounds for much modern scholarship. His account of Tibet is heralded by Tibetologists as the beginning of their field. Pomplun has written the best kind of academic book: a concise, well-written study both edifying for the historian and accessible for the public. I look forward to his future work on this Jesuit and his mystique.

* Mission to Tibet: The Extraordinary Eighteenth-Century Account of Father Ippolito Desideri, S.J.. The whole thing is 795 pages, including a 62-page introduction and 80 pages of footnotes and bibliography.

2 of 2 people found the following review helpful.
Fills a gap alongside "Mission in Tibet"
By John L Murphy
"The gravity-defying domes and impossible skies of Jesuit architecture evoked, with precise deliberations, the interior extravagance of generous abandon." (42)

Jesuit visual aids and verbal rhetoric, employed in the prolix account Ippolito Desideri sent back and re-wrote five times, aimed at inspiring novices in the Society of Jesus with the same fervor which fueled this young scholastic to ask to be sent to convert Tibet in 1712, even though he may have known nothing substantial of this most remote of outposts in the Society's Indies province. Furthermore (although there remains possibly some ambiguity in historical record as to what the young Jesuit knew and when), the Capuchin Franciscans had already been granted papal permission to establish themselves in Tibet. All the same, Desideri, not yet ordained when he left Italy for the East, arrived in 1715 and reached Lhasa the following year.

There, he quickly learned Tibetan; the preceding efforts of the Capuchins assisted him, but he certainly made astonishingly rapid progress, beginning his first book in the language the same year. The invasion by the Zunghar from Mongolia in 1717 impelled the Jesuit missionary to flee to Dakpo. He continued his writing of his Notizie istoriche, intended to justify his mission against both the claims of the Capuchins and, more crucially, the assertions of the Buddhists.

Their Madhayamaka philosophy earned the brunt of Desideri's assault. He sought to undermine the Buddhist denial of a supreme God as absurd, and this "evident falsehood" combined with the need for salvation, in Catholic theology, to rest on "certainties of reason in addition to certainties of faith." (94) In his new study of Desideri, Trent Pomplum discusses this in a dense chapter which analyzes Desideri's methods via post-Tridentine theology, and scholastic applications. The Tuscan Jesuit's sought to deny his Tibetan hosts and interlocutors the ability to assert their claims to what Desideri might define as prevenient grace, the assistance given by God to those seeking Him without their direct knowledge, but who gained by their unwitting good will to seek the ultimate truth the benefits of natural virtues.

This theme creates intricate terrain to explore in a compressed chapter, and those without added theological surety may find themselves challenged here. Still, Pomplum sums up the contrast between "natural virtues" which an unbeliever might possess and "supernatural fulfillment" which directed these virtues towards a Christian salvation and he shows why Desideri sought to refute Buddhist doctrines. Desideri, as any missionary of his time and formation, admired Tibet even as he tried to undermine its religious and cultural formations, in an attempt to win it over for Christ. Therefore, he had to unrelentingly refute the claims of dharma.

This book progresses through Desideri's training as a Jesuit as Pomplum introduces us to the baroque mindset within Italian Catholicism. Professor Pomplum sets out in a couple of hundred pages a narrative that conveys the gist of Desideri's aim to confront and convert a land that he came to nearly ignorant of. As the first Jesuit to establish a mission in "the third Tibet" of the innermost heartland, Desideri mastered the arguments of his opponents, who were also his instructors. He translated works and he commented upon them, seeking to correct what he regarded as mistaken notions of some Christians who had conflated Asian resemblances to Trinitarianism via the Three Jewels, for example, or those who had speculated that Nestorian traces of a vanished Christianity had remained in China.

The narrative devotes additional treatment to Jesuit missionary efforts in Asia and India, as it concentrates upon two of this scholar's areas of overlapping (for Desideri) expertise, Indo-Tibetan religion and culture, and Jesuit missions history. For a reader in Buddhist areas, Pomplum presumes familiarity with these theological and philosophical essentials. He delves into the finer points of Catholic-Buddhist contention as taken up by Desideri deeply and quickly.

However, a hundred pages of notes and a bibliography add to the usefulness of this compact work on an admittedly intriguing figure. Despite what may be for more casual readers an onslaught of information about the Zunghar invasion, there is merit in analyzing the complications reported, if with a bias, by Desideri. For scholars of this period, this summation in the fourth chapter will prove useful. The book tends to cover a wider area than its subtitle, and from it, readers will learn more about the influences which created and sustained zealous figures such as Desideri to do so much in so little time. Given but his half a decade in Tibet, while not as much about Desideri as a crafty and flawed figure may emerge as one might wish given the aims of Desideri's confident and clever report as "true history" to the Society, Pomplum energetically examines the nuances of the Jesuit's self-presentation and self-justification with all the scholarly acumen he and his academic colleagues have acquired in the centuries since this mission.

The twists and turns of Desideri's mission to the Indies, before and after his stint in Tibet between 1715 and 1721, are only part of the story. He was forced to leave when his sometime colleagues and sometime rivals the Capuchins reasserted and were reassured of their missionary status in the region, even as the Zunghar and then Manchu invasions created havoc in the Himalayan kingdom. He later served in Delhi and other outposts in India, before returning to Rome to vainly convince the Vatican to rule in favor of the Society and against the Capuchins for control of the Tibetan mission to which he must have longed to return.

Pomplum carefully corrects the excesses of Catholic hagiographers and then post-colonial critics who distort the truth about Desideri's missionary attainments, and those also of the Capuchins--who have often been denigrated while the accomplishments of their confreres the Jesuits have been elevated or caricatured. Jesuit ambitions are placed in context of the time, and Pomplum surveys the legacy of Desideri in the wider Chinese Rites controversy in which Matteo Ricci would be involved, and the question of Jesuit "accommodation" of native rituals and practices which would characterize the Malabar Rites fracas which in India would again pit Capuchin against Jesuit, and which would involve papal intervention. Pomplum defines what linked the friars to the Society of Jesus as to shared aims at how far to adjust Catholicism to Asian traditions, as well as what distinguished Jesuit missionaries among the Hindu such as Roberto de Nobili from their Franciscan, Dominican, and Vatican critics.

Pomplum concludes by reminding readers that if Desideri's mission had been as successful as many Buddhist Studies scholars appear to have wished it, there might not be any Buddhism left to study, four centuries later. "Viewed as a work of history, Desideri's narratio is a curious m�lange of hard-nosed reporting, breezy innuendo, and simple mistakes." (172) The professor suggests it is better understood as we would an account today "based on a true story." Despite its flaws as history, the Notizie istoriche stands as a testament to how much one diligent missionary could amass about his adopted land to carry out his determined apostolate.

Its new edition, which was consulted by Pomplum as in turn his study informed this edition, appeared around the same year of 2010. Translated by Michael Sweet and edited by Leonard Zwilling, this massive compendium collects what is necessary to comprehend Desideri within his own writings, and those of his early confrere Manoel Freyre. (I reviewed "Mission to Tibet" in June 2012.)

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[V800.Ebook] Free PDF A Million and One Nights: A History of the Motion Picture, by Terry Ramsaye

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A Million and One Nights: A History of the Motion Picture, by Terry Ramsaye

First Published in 1964. Routledge is an imprint of Taylor & Francis, an informa company.

  • Sales Rank: #4380430 in Books
  • Published on: 1964-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.75" w x 2.50" l, 2.39 pounds
  • Binding: Hardcover
  • 1040 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Best Technical History
By S. Sharp
This book is indispensable to the student of the early technical & business development of motion picture. Written in 1926 it does not include the development of sound because it was written before that was developed. The stories are vivid because the memory of the early rough & tumble years had not faded. It is not about the artistic development of the medium so much as it's practical development. There are many good pictures. Theda Bara & Francis X. Bushman have great full page pictures. Very entertaining even if you are more interested in the stories & stars of the early cinema than the technical development. Essential for the film student & highly recommended for everyone else.

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Friday, April 8, 2011

[H728.Ebook] Ebook Free Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered, by Austin Kleon

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Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered, by Austin Kleon

In his New York Times bestseller Steal Like an Artist, Austin Kleon showed readers how to unlock their creativity by “stealing” from the community of other movers and shakers. Now, in an even more forward-thinking and necessary book, he shows how to take that critical next step on a creative journey―getting known.

Show Your Work! is about why generosity trumps genius. It’s about getting findable, about using the network instead of wasting time “networking.” It’s not self-promotion, it’s self-discovery―let others into your process, then let them steal from you. Filled with illustrations, quotes, stories, and examples, Show Your Work! offers ten transformative rules for being open, generous, brave, productive.

In chapters such as You Don’t Have to Be a Genius; Share Something Small Every Day; and Stick Around, Kleon creates a user’s manual for embracing the communal nature of creativity― what he calls the “ecology of talent.” From broader life lessons about work (you can’t find your voice if you don’t use it) to the etiquette of sharing―and the dangers of oversharing―to the practicalities of Internet life (build a good domain name; give credit when credit is due), it’s an inspiring manifesto for succeeding as any kind of artist or entrepreneur in the digital age.

  • Sales Rank: #6843 in Books
  • Brand: Workman Publishing
  • Published on: 2014-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x .63" w x 6.00" l, .60 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

From Booklist
Forget the lone genius myth, says Kleon, author of the best-seller, Steal like an Artist (2012). His 10-step journey in this beginner’s guide to self-promotion emphasizes audience building and explains the how and why of such approaches as thinking about process rather than product, sharing something each day, teaching what you know, learning to take a punch, and developing staying power. Kleon’s use of artists’ quotes, photographs, and organizational diagrams enhances the text as he reminds readers of how interested people are in the creative process. Become a documentarian . . . start a journal . . . keep a scrapbook . . . see the work you’re doing more clearly and feel . . . progress. When you’re ready to share, you’ll have a surplus of material. Put work out there and let people take their best shot. Then make even more work and keep sharing it until you learn that criticism can’t hurt and may help you. And stick with it. Kleon’s powerful advice makes this small-format book not-at-all little. --Whitney Scott

Review

"[Show Your Work is] timeless; readers can return to it repeatedly throughout life and still glean useful ideas and tips... Anyone starting out (or starting over)...will find upbeat encouragement here."
―Library Journal

“Some people are natural self-promoters. For others, it’s painfully difficult to put their work out there. In this creatively designed pocket-sized book, Kleon offers the latter group effective strategies that allow them to share their work without leaving their comfort zone…. Kleon’s advice is sassy and spot-on.”
―Publishers Weekly

“[The] subtitle could just as easily be, ‘How to Self-promote Without Being a Jerkface.’ It’s an incredibly useful and compulsively readable short book.”
―Fast Company

“Kleon addresses with equal parts humility, honesty, and humor one of the quintessential questions of the creative life: How do you get ‘discovered’? In some ways, the book is the mirror-image of Kleon’s debut ― rather than encouraging you to ‘steal’ from others… it offers a blueprint to making your work influential enough to be theft-worthy.”
―Brain Pickings

“A must-read for anyone involved in the creative process.”
―LibraryReads


“Kleon’s powerful advice makes this small-format book not-at-all little.”
―Booklist

“In this motivating book, packed with smart approaches, ideas and quotes, Kleon teaches you how best to navigate through creative work in the present day. . . . A certain and deserved bestseller.”
―The Bookseller

“It’s not often that I find myself reviewing a book that I can say has already changed my life. . . . At a crucial turn in this fabulous little wallop of a book comes the simple directive, ‘Share something small every day.’ That ‘something’ oughtn’t be your Instagrammed latte or a selfie, but something ‘useful or interesting’ about your work. Put enough somethings out there, and a lone artist or entrepreneur can soon be a productive part of a creative community.”
―BookPage

About the Author

Austin Kleon is a writer who draws. He is the author of the New York Times bestsellers Steal Like an Artist and Show Your Work! His work has been featured on NPR’s Morning Edition, PBS Newshour, and in the New York Times and Wall Street Journal. He also speaks frequently about creativity in the digital age for such organizations as Pixar, Google, SXSW, TEDx, and The Economist. He lives in Austin, Texas, and online at austinkleon.com.


Most helpful customer reviews

257 of 271 people found the following review helpful.
Great writing style, fairly empty book
By Evelyn
Kleon has an engaging writing style. His illustrations are cute. He is an able curator of interesting quotations. But this book is mostly devoid of meaningful or useful content. Here is some of the advice you'll receive:

- Put your work out there, share it with others regularly
- Meet up with people in real life, not just on the Internet
- Don't be afraid to make money off your creative work
- Keep going
- Maintain an e-mail list
- Give proper credit when you refer to other people's work

I won't spoil the rest--if you do read the book, you'll see that I'm not simplifying anything in that list. He goes into zero detail about *how* you should do any of those things, which leads me to believe that he considers the suggestions themselves as worthy of paid publication. Even as free blog posts, most of these chapters would leave me asking, "And...?" This is a catchy write-up of the most banal common knowledge on the topic.

I loved Steal Like An Artist (and still do), but this book was not worth the money or the time I spent on it. Big disappointment. I will probably still buy his next book, but I hope I won't have to return it like this one.

53 of 57 people found the following review helpful.
Another Hit!
By Jessica McKelden Cave
One thing I've always strived to improve has been my transparency. It's also one of the things I've always struggled most with. It's just not instinctual to me. I literally have to pour my time and energy into showing pieces of myself and my work to the world. And it's not even just my work--I don't even update my personal Facebook on a regular basis.

When I realized what Austin Kleon's newest book was about, I knew I had to have it. The theme is Show Your Work. How apropos. Once I had it in my hands, there was so much for me to learn. Here are a few of my favorite lessons from each chapter:

1. You don't have to be a genius.

Anyone can share their art. There are no limits here.
"You can't find your voice if you don't use it."
"Raw enthusiasm is contagious."

2. Think process, not product.

It's not about the final product; it's about the journey.
"We're not all artists or astronauts. A lot of us go about our work and feel like we have nothing to show for it at the end of the day. But whatever the nature of your work, there is an art to what you do, and there are people who would be interested in that art, if only you presented it to them in the right way."

3. Share something small every day.

You don't have to post something big. Share small things on a regular basis and you'll keep up your momentum.
"Put yourself, and your work, out there every day and you'll start meeting some amazing people." - Bobby Solomon
You should be continually asking yourself this question: "What are you working on?"
Whatever you do, do not overshare.

4. Open up your cabinet of curiosities.

If someone shares something and you like it, share it, too.
"Your influences are all worth sharing because they clue people in to who you are and what you do--sometimes more than your own work."

5. Tell good stories.

If someone asks you about yourself, tell the truth and tell it with dignity and self-respect. You have to own who and what you are.
Ultimately, humans just want to connect.

6. Teach what you know.

Pass it on. By teaching, you may learn something yourself.
"The minute you learn something, turn around and teach it to others."

7. Don't turn into human spam.

Just because you have the power to share does not mean you should overshare.
"Make the stuff you love and talk about the stuff you love and you'll attract people who love that kind of stuff."

8. Learn to take a punch.

Learning to take constructive criticism is one of the most important skills you can learn. You need to be able to put yourself out there and take a hit once in a while.
"Compulsive avoidance of embarrassment is a form of suicide." - Colin Marshall
"Your work is something you do, not who you are."

9. Sell out.

Sellout is a dirty word. You have to make your money somewhere.
"You just have to be as generous as you can, but selfish enough to get your work done."

10. Stick around.

Don't give up. You might have to keep working at it for a long while before you get where you want to be. The trick is to never stop trying.
"Don't quit your show. Life is very hard without a show, kids." - Dave Chappelle
Never stop. Done with one project? Move onto the next immediately. Never lose momentum.

Every time I crack open a book by Austin Kleon, I take a piece of advice with me. It doesn't matter if I've never read it before or if I've cracked that spine open a thousand times before. There is always something new to learn. I highly suggest you invest in your future by getting a copy of Show Your Work now. While you're at it, grab a copy of Steal Like An Artist if you haven't already. It's worth it.

52 of 57 people found the following review helpful.
"Let your light so shine before men, that they may see your good works...." Matthew 5:16
By Robert Morris
As Austin Kleon explains, his previous book, Steal Like an Artist, "was about stealing influence from other people" whereas "this book is about how to influence others by letting them steal from [begin italics] you [end italics]." I agree with him that "all you have to do is to show your work" but only if (HUGE "if") it's worth stealing and you know how to do that in terms of what, when, and where. Actually, he wrote this book "for people who hate the very idea of self-promotion." It's not enough to be very good. "In order to be found, you have to [begin italics] be findable [end italics]. I think there's an easy way of putting your work out there and making it discoverable [begin italics] while [end italics] you're focused on getting really good at what you do."

Kleon's two books can be of incalculable value to those who need help with creating content (whatever its nature and extent may be) and then help with attracting the interest and support of those on whom the success of the offering depends. It could be a product, a service, or both. Its target market could be singles, seniors, the unemployed or under-employed, new parents, do-it-yourselfers, beginners at whatever...you get the idea.

So, how to become findable? First, Kleon explains the need for developing a new mindset, one that will enable the reluctant self-promoter to think differently so that she or he can then operate differently. Here's his key point: "Almost all of the people I look up to and try to steal from today, regardless of their profession, have built [begin italics] sharing [end italics] into their routine. Next, he urges his reader to find what the musician Brian Eno characterizes as a "scenius": a group of creative individuals who make up an ecology of talent. "What I love about the idea of scenius is that it makes room in the story of creativity for the rest of us: the people who don't consider ourselves geniuses."

Then Kleon suggests ten specific observations and initiatives, devoting a separate chapter to each. The purpose of the first, "You don't have to be a genius," is an important reassurance that David and Tom Kelley also provide in their recently published book, Creative Confidence: Believing that only geniuses are creative "is a myth that far too many people share. This book is about the opposite of that myth. It is about what we call 'creative confidence.' And at its foundation is the belief that we are [begin italics] all [end italics] creative...Creative confidence is a way of seeing that potential and your place in the world more clearly, unclouded by anxiety and doubt. We hope you'll join us on our quest to embrace creative confidence in our lives. Together, we can all make the world a better place."

The other nine call for initiatives that almost anyone can take. Kleon suggests the most important do's and don'ts to keep in mind. Two key elements are repeatedly emphasized. First, share generously and continuously with those who comprise an appropriate (key word) ecology of talent: people who share common interest and goals, yes, but also common questions and concerns. Share what will be of greatest interest and value to them. Also, be yourself. Why? I like Oscar Wilde's response best: "Everyone else is taken." Each person is a unique work-in-progress. That's hardly an original insight but well-worth repeating.

Let's allow Austin Kleon the final observations: "Human beings are interested in other human beings and what other human beings do. Audiences today not only want to stumble across great work, they, too, long to be part of the creative process. By showing people your 'behind-the-scenes footage" [i.e. portions of incomplete and imperfect work], they can see the person behind the products, and they can better form a relationship with you and your work." So show it...and your authentic self in process.

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Saturday, April 2, 2011

[Y797.Ebook] Get Free Ebook Modern Guitar Method Grade 1, Expanded Edition, by Mel Bay, William Bay

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Modern Guitar Method Grade 1, Expanded Edition, by Mel Bay, William Bay

The Modern Guitar Method Grade 1 / Expanded Edition provides valuable enhancement to the world's most popular guitar method. This comprehensive spiral-bound volume doubles the quantity of studies and solos presented in the original edition. Every new concept is reinforced by numerous pages of fresh study material. In addition, every note contained in the original Modern Guitar Method Grade 1 is included and supported by additional playing material. Access to online audio and video. Expands entire content of the original Modern Guitar Method, Grade 1. Doubles the amount of study and solo material. Access to online audio and video. Spiral bound for durability and reading convenience. Provides an incredibly solid foundation for any guitar student.

  • Sales Rank: #18776 in Books
  • Published on: 2015-07-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.60" h x .60" w x 8.90" l, .57 pounds
  • Binding: Spiral-bound
  • 88 pages

Review
I was 17 years old teaching at Ernie Ball's Guitar Shop in Tarzana, California. That's where I met Mel Bay through a workshop he taught. It was then that I took myself through his 7 book guitar method the first time which was very instrumental toward my professional training. Now, all these years later just I completed the updated expanded edition of the 7 book method. It is a beautiful workout and journey of graded material including: 1. Reading studies in all keys and positions. 2.Beautiful chord melodies ranging from classical to folk, blues, jazz and latin in style. 3. Theory is an integral part of this method presenting harmonized chord forms, studies in thirds and triads and quartal harmony in all keys. 4. Technical development and challenge and strong musicality frame this great work. This production is in my opinion the consumate guitar method which I recommend as a must to all serious guitarists. Congratulations to William Bay for this masterpiece. --Michael Anthony

About the Author
William Bay is president of Mel Bay Publications, Inc. He is an accomplished guitarist and trumpet player and has performed on both instruments in a wide variety of professional settings. He is experienced as a performer and composer of music ranging from jazz and rock to the classics and sacred. He received his bachelor's degree from Washington University in St. Louis and his master's from the University of Missouri. Bill has received international acclaim for his innovative teaching methods, and he has authored over 200 books with sales in the millions.

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5 of 5 people found the following review helpful.
There is no substitution for practice, practice, practice ...
By Ross Johnson
There is no substitution for practice, practice, practice until muscle memory takes over and one can express oneself with artistic verve and vigor. This methodology goes step by step learning the scales string by string, key by key, chord by chord. Proficiency takes literally hundreds of hours, no fooling.

5 of 5 people found the following review helpful.
Good Basic Guitar Book
By S. Hauch
The first Mel Bay Grade 1 book I had lacked the spiral binding and the CD, but the material inside was in the style of where I started way back when with learning the trombone - the basics, in other words. I've seen negative reviews about the songs being outdated, but you don't buy a book like this to learn songs, you buy it to learn to read music. There may be more familiar tunes in Hal Leonard books, but Mel Bay has it all covered for learning. I'm on books 3 and 4 now, slowly making my way through, and I've purchased this Grade 1 book for 2 other people so far, that's how much I respect what it has to offer. You have to seek out the spiral binding to make it lay flat while using it, and the CD can be used to demonstrate how the practice pieces should sound. Nobody I know is going to be as good as the recordings right off, but that's true of ANY music book, whether it has standard notation or tablature. Mel Bay's material will give you a solid basis to build on, but a good music teacher can help with the finer points. If I was teaching, I'd recommend this book as a practice source.

2 of 2 people found the following review helpful.
Bought the expanded edition which has more songs for practice ...
By Teacher / music lover / book lover
Bought the expanded edition which has more songs for practice and is spiral bound for ease of use. Worth the xtra couple of dollars.

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Friday, April 1, 2011

[V994.Ebook] Ebook Free Crying in the Middle Ages: Tears of History (Routledge Studies in Medieval Religion and Culture)From Routledge

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Crying in the Middle Ages: Tears of History (Routledge Studies in Medieval Religion and Culture)From Routledge

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Crying in the Middle Ages: Tears of History (Routledge Studies in Medieval Religion and Culture)From Routledge

Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts.

Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.

  • Sales Rank: #6525470 in Books
  • Published on: 2011-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.28 pounds
  • Binding: Hardcover
  • 350 pages

About the Author

Elina Gertsman is Assistant Professor of Art History and Art at Case Western Reserve University. She is the author of The Dance of Death in the Middle Ages: Image, Text, Performance (2010), and the editor of Visualizing Medieval Performance: Perspectives, Histories, Contexts (2008).

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[W169.Ebook] Download Bad Guys Don't Have Birthdays: Fantasy Play at Four, by Vivian Gussin Paley

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Bad Guys Don't Have Birthdays: Fantasy Play at Four, by Vivian Gussin Paley

Bad guys are not allowed to have birthdays, pick blueberries, or disturb the baby. So say the four-year-olds who announce life's risks and dangers as they play out the school year in Vivian Paley's classroom.

Their play is filled with warnings. They invent chaos in order to show that everything is under control. They portray fear to prove that it can be conquered. No theme is too large or too small for their intense scrutiny. Fantasy play is their ever dependable pathway to knowledge and certainty.

" It . . . takes a special teacher to value the young child's communications sufficiently, enter into a meaningful dialogue with the youngster, and thereby stimulate more productivity without overwhelming the child with her own ideas. Vivian Paley is such a teacher."—Maria W. Piers, in the American Journal of Education

"[Mrs. Paley's books] should be required reading wherever children are growing. Mrs. Paley does not presume to understand preschool children, or to theorize. Her strength lies equally in knowing that she does not know and in trying to learn. When she cannot help children—because she can neither anticipate nor follow their thinking—she strives not to hinder them. She avoids the arrogance of adult to small child; of teacher to student; or writer to reader."—Penelope Leach, author of Your Baby & Child in the New York Times Book Review

"[Paley's] stories and interpretation argue for a new type of early childhood education . . . a form of teaching that builds upon the considerable knowledge children already have and grapple with daily in fantasy play."—Alex Raskin, Los Angeles Times Book Review

"Through the 'intuitive language' of fantasy play, Paley believes, children express their deepest concerns. They act out different roles and invent imaginative scenarios to better understand the real world. Fantasy play helps them cope with uncomfortable feelings. . . . In fantasy, any device may be used to draw safe boundaries."—Ruth J. Moss, Psychology Today

  • Sales Rank: #135288 in Books
  • Published on: 1991-05-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 5.25" l, .32 pounds
  • Binding: Paperback
  • 128 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Fantasy Play is amazing!
By Sharlene L. Schmidt
I really enjoyed this book because it allowed for super hero play which is often frowned on in early education classrooms. Children are allowed to express themselves thru play and their imaginiations can run wild. This book did a great job of showing the reader just how children use their imagininations in play and just how quick the theme can change. This is a great book for anyone who is in the early childhood education field. It makes an easy read and it is truely a great book!!

0 of 0 people found the following review helpful.
The title makes us wonder why bad guys don't have birthdays
By margaret Werner
This is a great book on four year olds. Piaget helps us to understand how young children think and learn. Vivian Gussin Paley gives us many examples of how young children learn from their environment and how they change their beliefs when confronted with information from other children.

0 of 0 people found the following review helpful.
One of my all time favorites by Paley
By Jane Beader
Vivian Paley is a master at decribing young children's capacity for story telling. Her books are worth twice the price, and extremely readable, informative and thought provoking.

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