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The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, by John Truby
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John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with--specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience.
The foundations of story that Truby lays out are so fundamental they are applicable--and essential--to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.
- Sales Rank: #863188 in Books
- Brand: Faber
- Published on: 2007-10-30
- Released on: 2007-10-30
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.61" h x 1.54" w x 6.66" l, 1.68 pounds
- Binding: Hardcover
- 464 pages
- Used Book in Good Condition
From Publishers Weekly
Teacher and screenplay doctor Truby (responsible for popular screenwriting software Blockbuster) brings his complicated but time-tested story development system to print for the first time, a 22-point process that's more thorough-"an extremely precise map of your entire plot" that "shows you the most dramatic way to tell your story"-but also more unwieldy than the traditional "three-act" technique. For example, the first seven steps Truby introduces apply to structure: develop "weakness and need" and "desire" in your hero, give him an "opponent" and a "plan" for overcoming that opponent, then throw in a "battle" that leads to "self-revelation" and, finally, a "new equilibrium." Chapters build on each other, fleshing out these steps with a number of terms and concepts (character types include hero, main opponent, ally, fake-ally opponent and fake-opponent ally) that alternate between cagey (the "character web") and confusing (the nearly indistinguishable "designing principle," "theme line" and "moral argument"). Further frustration arises in Truby's examples, old movies retrofitted with his techniques (most notably The Godfather and Tootsie) rather than a script that has actually been put through Truby's paces (or, even better, a new script invented just to demonstrate the steps). Following Truby's complex system may yield a memorable screenplay, but writers without great patience may find it more trouble than it's worth.
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Review
"The Anatomy Of Story is concrete and practical without resorting to simplistic 'Three Act Structure' screenwriting clichés. It will be an indispensable guide to writing your first great script. Then, the perfect survival manual to help you negotiate the often confusing, contradictory and cutthroat world of professional screenwriting." --Larry Wilson, co-writer /co-producer of BEETLEJUICE and co-writer of THE ADDAMS FAMILY
"A veritable bible for screenwriters." –Backstage "If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby...[His lessons draw] epiphanies that make you see the contours of your psyche as sharply as your script." –LA Weekly About the Author
John Truby is Hollywood's premiere story consultant and founder of Truby's Writers Studio. He has worked as a story consultant and script doctor for Disney Studios, Sony Pictures, FOX, and HBO, among others, and has taught his 22-Step Great Screenwriting and Genre classes to over 20,000 students worldwide.
Most helpful customer reviews
38 of 38 people found the following review helpful.
Best by far for novel or screen writers
By Mia Harrison
I have spent a lot of money on screenwriting and novel writing books. I have had recommendations for books that were different, or foolproof; formula based, character based, plot based, etc. In my experience, the screenwriting books do it better than the novel writing ones, but it still takes some searching to find something really useful. I first used John Truby's book for a screenplay I was writing. I followed the first few chapters religiously and discovered I was solving problems I didn't even realize existed, creating deeper characters and stronger arcs all as part of the process. It wasn't formulaic and didn't give me a standard plot, but it did adhere to a few fundamental truths about story and character that cannot be ignored. As with any book, you need to use your brain and alter the rules to fit your story, but trust me, don't stray too far. It's very easy for someone to think that their character or story is "too good" or "above" the rules of conventional story telling but trust me, even the most obscure stories follow this basic format (if they are any good). It gives you relatable examples from a variety of movies, and the exercises are actually practical (none of the tired clichés such as "write about an experience you had where..." or "tell a story using these key words as a starting point"). All the exercises are specifically designed to help you develop YOUR story, not just any random plot.
Because of the success I had with this method, I used the book again for planning my novel. Now, with a novel there are a few changes that need to be made. More happens in a novel, and of course things like "the audience reveal" are generally strictly cinematic tools and don't translate well to literature. However, I found the same successes with it for novel writing. Same problems being solved, same richness added to the plot and character.
I would recommend this book to anyone writing something with plot. I bought this originally in paperback and purchased the kindle version so that I could just carry around my iPad. Use in conjunction with your favourite other texts (I like Blake Snyder's "Save the Cat" beat sheet for pacing. I cross referenced this with my favourite novels from the genre I was writing in to find the appropriate pacing for the novel).
There is no such thing as a magic book that will make you a great writer, BUT if you have skills and a great idea, this will help you workshop and develop the idea to give you something you actually start writing.
10 of 10 people found the following review helpful.
Helped get my novel on track
By Carol Buchanan
I've been flailing at my fourth novel, The Ghost at Beaverhead Rock, for 2 years. Although I won a Spur award in 2009, and my second novel was a runner-up in 2011, I constantly search for ways to be a better novelist. I'm a voracious reader of everything I can find on how to structure novels, how to write better, etc. Many of the books I've read offer good advice, and one or two are standouts.
But no other book or methodology of writing fiction has met me where I've wanted my books to live except The Anatomy of Story. It's not just a how-to book on outlining or structuring a novel. I have used a detailed scene outline on all three previous novels, and they have worked -- up to a point.
This book addresses characters' moral dilemmas and shows examples of how the heroes learn -- or don't learn -- to live properly in the world. Mr. Truby uses examples from such diverse films as Tootsie, The Godfather, and Casablanca. My characters all grapple with the issues of good and evil, justice and injustice, and justice and forgiveness. By studying The Anatomy of Story, I'm learning how to write the books and stories I want to write at a deeper level than before.
Thank you, John Truby.
4 of 4 people found the following review helpful.
Finally, a method that works!
By Just Me
Truby has become a new mentor for my fiction writing. "The Anatomy of Story," is not just an essay on the craft of story. Truby provides examples a plenty, dissecting the likes of Casablanca, Star Wars, Its A Wonderful Life, Ulysses, and Tootsie, to reveal the organic, interconnected web that weaves together their characters, plot, moral theme, dialogue, setting, and symbols.
I've read reviews that suggest that Truby's examples are outdated and retrofitted to his 22 step method. This is a misunderstanding. Stories like Dickens's A Christmas Carol have stood the test of time and while I have never seen Casablanca in its entirety, Truby is so specific in his analysis that the story feels familiar now. Of course Dickens didn't use Truby's method but Truby illustrates how his 22 step method developed out of analyzing the organic stories of master story tellers.
This method is not easy. But it's the first that I've come across that provides an organic process. Other methods prescribe a stiff, episodic frame work upon which the story is stretched. In Truby's method every story element serves in comparison or contrast to the main character's struggle. It is a very disciplined method. No fluff allowed. No part of the story is pulled out of thin air, made up out of whole cloth. The internal logic of the story provides the structure. Easier methods abound but produce inferior results. Worse, other methods provide no guidance to differentiate a workable premise from a fatally flawed premise. Now I can finally lay to rest ideas that would never have developed properly before I invest hundreds of hours in writing. Instead I can develop those diamonds in the rough until they sparkle.
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