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This text provides an overview of the main themes, issues, and critical perspectives that have had the greatest effect on postcolonial literatures. Discussing the historical, cultural and contextual background that has affected postcolonial literatures and our reading of them, it contains selected work of some of the major writers from this period.

• Sales Rank: #3330623 in Books
• Brand: Brand: Palgrave Macmillan
• Published on: 2007-01-15
• Released on: 2006-04-27
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .56" w x 5.50" l, .72 pounds
• Binding: Paperback
• 240 pages

Features

• Used Book in Good Condition

About the Author
Gina Wisker is Director of Learning and Teaching Development, and MA Women's Studies coordinator at Anglia Polytechnic University, where she also teaches English.

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It is the early 1960s in a country village in Ireland. Caithleen Brady and her attractive friend Baba are on the verge of womanhood and dreaming of spreading their wings in a wider world; of discovering love and luxury and liquor and above all, fun.
With bawdy innocence, shrewd for all their inexperience, the girls romp their way through convent school to the bright lights of Dublin - where Caithleen finds that suave, idealised lovers rarely survive the real world...

• Sales Rank: #4058125 in Books
• Published on: 1965
• Number of items: 1
• Binding: Paperback
• 188 pages

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[N320.Ebook] Fee Download Proslogion: including Gaunilo Objections and Anselm's Replies, by St. Anselm, Matthew D. Walz

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Written for his brother Benedictine monks around 1077, Anselm’s Proslogion is perhaps the best-known partially-read book of the Middle Ages. Many readers are familiar only with Anselm’s well-known argument for God’s existence in Chapters 2–4, which is often called the “ontological argument,” a misleading appellation coined centuries later by Immanuel Kant. In this argument Anselm begins with the thought of “something than which nothing greater is able to be thought,” and subsequently he leads the reader to see that such a reality necessarily exists and cannot be thought not to be. This argument – which is, to be sure, crucial to the work – constitutes but a small portion of the whole. Preceding it is a profound but oft-overlooked opening chapter in which Anselm contemplates his all-too-human condition and disposes the reader to receive aptly his argument for God’s existence in the next three chapters. And following this argument are 20 chapters in which Anselm artfully unfolds the depth and breadth of God’s true existence as that than which nothing greater is able to be thought, showing God to be (among other things) able-to-sense, pity-hearted, just, good, and uncircumscribed. Indeed, if the reader is willing to give himself over to the work as whole, he will be compelled, under Anselm’s deft guidance, to “endeavor to straighten up his mind toward contemplating God,” which is how Anselm describes his own role in the work in his prefatory remarks.
��� This edition provides a faithful yet readable English rendering of the whole Proslogion, the objections raised to Anselm’s argument by his contemporary Gaunilo, and Anselm’s replies to those objections. (After responding to Gaunilo, Anselm himself requested that these objections and replies be included in subsequent editions of the Proslogion.) This edition also includes an introduction that contextualizes the Proslogion within the monastic, pre-Scholastic age in which it first made its appearance.� In addition, by means of notes and commentary, this edition articulates how to contextualize Anselm’s famous argument in the Proslogion as a whole and in light of his replies to Gaunilo, how to appreciate the artistry whereby Anselm knit the Proslogion together into a coherent and concise unity, and how the work may be taught effectively to interested students. These features set this affordable English edition of the Proslogion apart from those currently available, which too often fail to capture accurately the beauty of Anselm’s prose, which often treat the work through the lens of either later Scholasticism or contemporary analytic philosophy of religion, and which take little note of the craftsmanship whereby Anselm constructed this masterfully integrated work that is remembered too often for too few of its 24 chapters.
�

• Sales Rank: #837341 in Books
• Published on: 2013-04-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .40" w x 6.00" l, .30 pounds
• Binding: Paperback
• 80 pages

About the Author

�

Matthew Walz has taught in the interdisciplinary program at Thomas Aquinas College in California, and since 2008 he has been a professor in the Philosophy Department of the University of Dallas.

�

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1 of 2 people found the following review helpful.
Best Suited to Academia
By James G. Bruen Jr.
The "recognizable structure of reasoning" that "emerges" in the Proslogion "can be called a 'pattern of erotic thinking,'" says Matthew Walz in the Introduction, quoting himself. Moreover, he says, the Proslogion "is an essentially zetetic work." If you are able to understand these statements without more, then this book is for you. The book and St. Anselm's work are not an easy read. Indeed, Walz says he "prioritize[d]" "literalness" over "easy readability" when translating,

Even the Proslogion's idea of God as "something than which nothing greater is able to be thought" is quite a mouthful. Walz insists that Anselm's work should be read and understood from the vantage point of monasticism and the time before and at which it was written rather than through the eyes of later scholasticism or Kantian spectacles with the lens of the "ontological argument." In this insistence, the book is at its best, and Walz is convincing.

The text of the book is set in a small font; the endnotes, which can be quite lengthy, are even smaller. Walz translated from Latin and he includes a key to how he translated certain words. In his Introduction he explains some of his unconventional translations.

This book is probably best suited to academia.

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Is there a cultural logic of what we have come to call the information age? Have the technologies and techniques centered on the computer provided not only tools but also the metaphors through which we now understand the social and economic formation of our world? In Control, Seb Franklin addresses the conditions of knowledge that make the concept of the "information economy" possible while at the same time obscuring its deleterious effects on material social spaces. In so doing, Franklin traces three intertwined threads: the relationships among information, labor, and social management that emerged in the nineteenth century; the mid-twentieth-century diffusion of computational metaphors; and the appearance of informatic principles in certain contemporary socioeconomic and cultural practices.

Drawing on critical theory, media theory, and the history of science, Franklin names control as the episteme grounding late capitalism. Beyond any specific device or set of technically mediated practices, digitality functions within this episteme as the logical basis for reshaped concepts of labor, subjectivity, and collectivity, as well as for the intensification of older modes of exclusion and dispossession. In tracking the pervasiveness of this logical mode into the present, Franklin locates the cultural traces of control across a diverse body of objects and practices, from cybernetics to economic theory and management styles, and from concepts of language and subjectivity to literary texts, films, and video games.

• Sales Rank: #1112482 in Books
• Published on: 2015-09-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .44" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 240 pages

Review

The digital computer: machine or metaphor? Examining both the technical and cultural aspects of computation, Franklin offers a masterful critique of control society, including cybernetics, digitality, capture, and management. From the research labs that appeared after World War II to contemporary films and games, the digital computer appears here not simply as the result of specific technical inventions but as the product of an entirely new way of thinking.

(Alexander R. Galloway, author of The Interface Effect)

Through a Jameson-inflected analysis of connections between aesthetic form and technical-informatic conditions of possibility across multiple genres, Control advances Deleuze and Guattari's work on societies of control, and really the whole historical movement from the psychological to the cybernetic. Provocatively and with great urgency, it demonstrates that the principles of control developed by cybernetics and information theory were not only fundamental to the development of capitalism but remain paradigmatic.

(Jonathan Beller, Director of the Graduate Program in Media Studies, Pratt Institute; author of The Cinematic Mode of Production)

"Seb Franklin has set control loose -- onto literature, film, psychoanalysis, and Marx -- to expose its imbricated logics far below and before the digital became known as such. This generative work completely upends the stale teleological, periodizing, and geographical assumptions driving contemporary theorizations of societies of control, opening up fascinating research agendas. It will surely become a definitive text, far beyond the usual suspects, for anyone thinking about aesthetics, capitalism, and power.

(Jasbir K. Puar, author of Terrorist Assemblages: Homonationalism in Queer Times)

About the Author

Seb Franklin is a Lecturer in Contemporary Literature in the Department of English at King's College London.

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0 of 0 people found the following review helpful.
The Pre-history of Digitality
By Amazon Customer
Control is a masterful account of the role of digitality as a logic underlying contemporary capitalism and global class stratification. Franklin's understanding of control extends to the role that digitality played in the pre-electronic computing era of Babbage and Hollerith, to the Macy conferences of the mid-twentieth century, up to more recent cultural objects such as the Jason Bourne franchise. Franklin explains that digitality necessarily entails a "filtering," or a masking of the exclusions built into the global economy based on essentialism. I thought that his historical discussion of the origins of digitality and the "cunning of history" to be particularly well done in reference to how digitality preceded cybernetic ideas but later subsumed cybernetics through Beer's management theory and new profit motives. I was not entirely convinced by the appropriateness of the selection of his cultural object case studies in the last two chapters, but it is a testament to the strength of his argument that even this minor disagreement did not detract from the impact of his book. This text will become an essential text for scholars of new media studies, the history of computing, and science and technology studies.

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